The sound of sheets flapping in the breeze caught my attention and brought me down the alleyway and resulted in one of those purely Italian moments.
The sound of sheets flapping in the breeze caught my attention and brought me down the alleyway and resulted in one of those purely Italian moments.
“Venetian Textures” ©2021 Niki Gulley
SOLD • 12″ x 9″ textured oil on canvas panel
Just Sold! I started this piece during our Plein Air / Photography Art Trek Workshop that my husband, Scott Williams, and I lead in Venice, Italy. We had painted several other grand locations, but decided on day three to paint a more intimate vignette of the canals. Since the whole city is on water, I love how their “garage doors” are actually for their boats! In this painting, I wanted to focus on all of the wonderful architectural textures and age of the homes as seen in the peeling stucco, crumbling bricks and weathered wood.
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Perhaps I Should’ve Listened to My Parents about Becoming an Artist…
It’s interesting in talking people to find out that most of you guys have no idea what goes into exhibiting at an art show, but you’d like to know. So… for something a little different this month, how about if I regale you with the process?
It often starts with the show attempting to fit 250 artists’ SUV’s and trailers (or in our case an 18′ box truck with a 5′ lift gate) into the set up area which allows about 20 vehicles at a time to unload. Next, you dolly your canopies, display walls, art and support materials (or in our case, we push eleven 6′ x 3′ x 8′ six hundred pound carts) to your booth space.
Yes – that’s right! We all own or rent our tents and walls. The show does not supply these. Our fair fees just cover our 10′ x 10′ piece of concrete. Next, we then proceed to erect our outdoor galleries, which on our fastest day takes about 7 hours – that’s as long as there is no heat, humidity, rain, or extra dollying (like uphill over grass at the Cottonwood Art Festival.)
Then, when the weekend is over, we pack each artwork in protective wrapping and take it all down. Luckily this process goes quicker and we can finish in 3 to 4 hours, although it’s usually dark by this point. And, occasionally such as in Ann Arbor and Chicago, the show has allowed locals to drive on the streets while you are still loading up.
We then proceed to drive home, often about 1200 miles spread over two days. Usually this goes smoothly other than having to pull in at every state’s commercial truck weight station, with the occasional inspections (where you pray you receive no fines or delays.) This particular summer, besides getting some warnings in Wisconsin during out impromptu truck inspection, we ran into a few other surprises. Despite our vehicle having rather low mileage, our sway bar fell off in the middle of Tennessee, we were towed and impounded for the low price of $525 in Chicago’s suburbs despite having a parking pass, and lastly our tire blew out on the freeway 10 miles from a town in Ohio on a Sunday. Did I mention almost all businesses are closed on Sundays in Toledo? Fun stuff!
Needless to say, I am so grateful to all of you that come out to support us and allow me to continue my passion for painting!!! Scott’s getting closer to retirement, so you may be seeing us less in future years. Sadly, this was our last summer in Ann Arbor, and I will really miss you guys! But, keep in mind I am only a phone call or e-mail away if you need some artwork to lift your spirits.
The next morning, we stopped by to photograph more puffins on our way out of town. Because you can never have enough puffin watching! Then we gathered up our merry band of trekkers and headed further east to the Vatnjokull National Park. Here we had several hours to hike and photograph the exotic scenery and another amazing waterfall before our final drive to our hotel located near the Jokulsarlon glacier lagoon.
To see more of my contemporary impressionistic landscape paintings, visit nikigulley.com.
First stop on our Iceland Art Trek this year was the Skogafoss waterfall. Surrounded by lush grassy mountains, this cascade surges downward with such force and power! Today I set up my easel to capture the energy and flow of the water. Creating strokes in diagonal sweeping shapes to enhance that feeling of movement and rhythm, I hope you, too, can hear the flowing water’s music and feel the gentle spray from its mist.
Next up on our Scotland Art Trek itinerary was a morning stop at the Quiraing, a unique area filled with high cliffs, hidden plateaus and unusual rock formations. Allowing a full morning for my painters to capture the land’s unique beauty, everyone did an amazing job! I chose this vantage point with some of the purple heather growing in the foreground, adding a nice color contrast to all of that lush greenery. The photographers hiked all around, capturing unique angles and then we all treated ourselves to lunch. Afterwards, we stopped at Mealt Falls to take in the waterfall’s power and beauty, and then we finished the day back in Portree.
To purchase “Peaks and Valleys,” please check out https://www.nikigulley.com/falling-water-ii-2/.
To see more of my contemporary impressionistic landscape paintings, visit nikigulley.com.