Our hotel in Sevilla, Spain had a rooftop terrace that overlooked the city and I couldn’t resist spending some time there to paint. I also had a waiter that would bring me snacks and drinks. That is the way to paint!
Our hotel in Sevilla, Spain had a rooftop terrace that overlooked the city and I couldn’t resist spending some time there to paint. I also had a waiter that would bring me snacks and drinks. That is the way to paint!
On the last day of our Spain Art Trek, we visited Plaza de España, a Moorish paradisiacal gathering place with a half mile of tiled fountains, pavilions, ponds and lush plantings. Some of my painters captured the river and bridges flowing through the center of the park, while I focused more on the unusual architectural elements.
Taking a moment to relax during a road trip to Western New York, I found this picturesque place to set up and paint. The bench was situated in the perfect spot to just sit back and relax as the boats paraded across the sparkling water. What a great way to spend the morning!
One of the highlights of our Iceland trip was to visit the Jokulsarlon Glacier Lagoon. Completely otherworldly, large chunks of blue ice break and float along the water’s surface while the massive glacier looms in the distance. My favorite color being aqua, I had to capture all of the gorgeous blues in the water and the ice. While a little overcast, the sun was able to peak through the clouds and create a dreamlike sunset casting a golden tint across the lagoon. A magical moment!
Across from the unique Kirkjufell mountain is the Kirkjufellsfoss waterfall. Mult-tiered water flows and cascades from one layer to the next into the pool below, creating a river that eventually flows out to sea. Since it was a rather grey evening, I decided to play with the colors to create a more uplifting, fantastical scene. Using juicy, thick, diagonal strokes creates energy and movement adding to the sense of rushing water. Created with palette knife and oil paint, this piece is loaded with color, texture and joy.
Continuing our journey along the west coast of Iceland, I was taken by their simplistic architecture, often topped with bright red roofs to add a pop of color to the natural landscape. In the next several paintings, you’ll see I chose a different house or barn each day and set out to capture its shape, the colors and light hitting the structure, and the picturesque, idyllic, quiet scenery surrounding the building in all directions. Here is my first one, a small 5” x 7” study where the shape of the mountains largely resembles the design of the barn, set amidst glowing grasses without another home in sight.
To see more of my contemporary impressionistic landscape paintings, visit nikigulley.com.
After disappointing weather in the north, we continued our adventure around the country to the west, finishing our trip on the Snaefellnes Peninsula. My husband loves architecture so the first stop on our itinerary was to visit the famous Black Church. Being the only church made of black construction material on the island, its distinctive appearance stands out rising out of a relatively large, flat plateau. I wanted to capture not only its color and shape, but the dramatic clouds surrounding it. Working with palette knife and thick oil paint, this little piece is loaded with texture, color and movement.
To see more of my contemporary impressionistic landscape paintings, visit nikigulley.com.
Continuing our journey along the west coast of Iceland, I was taken by their simplistic architecture, often topped with bright red roofs to add a pop of color to the natural landscape. In the next several paintings, you’ll see I chose a different house or barn each day and set out to capture its shape, the colors and light hitting the structure, and the picturesque, idyllic, quiet scenery surrounding the building in all directions. Here is my next one, another small 5” x 7” study where I came in close so you get a sense of scale for the size of the barn and the mountain behind it. My main focus for this painting was contrasting simplistic objects, repeating shapes and direction, texture and movement in my strokes.
On the next morning of our Ireland Art Trek, we left for Killarney, making a pit stop in the adorable thatch-roofed town of Adare. After exploring and grabbing lunch, we drove onto our lodging for the next few nights, a 16th century castle, fit for a king! Dinner was also delicious that evening in the castle’s dining room.