In this painting I wanted you to feel that child-like wonder of staring up into the treetops and heavens above. Choosing uplifting golds and reds contrasted against a lavender-blue sky with gentle clouds drifting by, I’ve arranged the aspens in a circular pattern to give you a sense of laying on the ground, surrounded by the forest. Using diagonal leading lines with the tree trunks and limbs, your eye gazes into the focal point where all of the elements come together. Meanwhile, utilizing thick, curving paint strokes adds to that joyful, playful feeling of hope and discovery.
Tag: Niki Gulley paintings
“Soaring Dreams II” by Contemporary Impressionist Niki Gulley
In this painting I wanted you to feel that child-like wonder of staring up into the treetops and heavens above. Choosing uplifting golds and reds contrasted against a lavender-blue sky with gentle clouds drifting by, I’ve arranged the aspens in a circular pattern to give you a sense of laying on the ground, surrounded by the forest. Using diagonal leading lines with the tree trunks and limbs, your eye gazes into the focal point where all of the elements come together. Meanwhile, utilizing thick, curving paint strokes adds to that joyful, playful feeling of hope and discovery.
“Autumn Progression” Palette Knife Aspen Tree Painting by Niki Gulley
“Ross Castle” Oil Painting from Ireland by Niki Gulley
Afternoon location: Ross Castle, Killarney
New Vermont Covered Bridge Commission by Contemporary Impressionist Niki Gulley
New England setting.
New “Golden Glow” Bluebonnet Painting by Texas Artist Niki Gulley
Last spring we loaded up the car and headed south to visit the Texas Hill Country
to see the wildflowers in bloom. It’s so exciting to see a
massive carpet of blue across our usually green hills, and I love how
the bluebonnets signal that spring has arrived!
Adding pops of color where the rainbow of wildflowers danced in between
the blue also keeps your focus moving from foreground to background. I hope you can feel the joy and energy of springtime in
Texas!I painted these Texas Bluebonnets and
wildflowers with extremely thick oil paint and palette knives to achieve
depth and texture. The resulting image comes to life and is loaded with
color and movement.
E-mail Niki Gulley for more information on her palette knife contemporary impressionistic landscape paintings.
“Waves of Wildflowers IV” Palette Knife Oil Painting by Niki Gulley
E-mail Niki Gulley for more information on her palette knife contemporary impressionistic landscape paintings.
New “Standing Witness” Palette Knife Aspen Tree Painting by Niki Gulley
16″ x 20″ textured oil painting
we visited Santa Fe and to escape the heat we ventured up the Santo de
Cristo mountains to cool down among the beautiful, refreshing aspen
trees. I was attracted to this grove in particular with their beautiful
textured white bark and their proximity and angles to each other. I
decided to include the sentinels behind, also, to give you a sense of
being surrounded by the peaceful forest. Dappled light casts diagonal
shadows and causes the grasses to dance and sparkle. I hope you can feel
the serenity of this rejuvenating place.
“Ruby Bridges” Vermont Palette Knife Oil Painting by Niki Gulley
the third day of our New England Fall Foliage Art Trek that my husband
and I led, we checked out of our lodging in Woodstock and headed to
Northfield, home of 5 different covered bridges. We set up our easels
near one of the bridges, attracted to its bright red wood, surrounded by
the gorgeous fall foliage. I loved this view of the first bridge
framing the second ruby bridge in the distance – something we definitely
don’t see in Texas! I hope you, too, are transported to this idyllic
New England setting.
To view more of my textured oil paintings at Brandon Jacobs Gallery in Kansas City, MO, check out BrandonJacobsGallery.com.
For more information on upcoming Treks, please visit http://www.ArtTreks.org.
“Grandmother’s House” Oil Painting by Contemporary Impressionist Niki Gulley
Afternoon location: Dingle Peninsula and Killarney Castle
the 6th afternoon of Ireland Art Trek, we continued to paint on the
castle grounds while the photographers and tourists finished exploring
the Dingle Peninsula. I chose to paint the castle’s guest house because I
love how it was nestled back in the woods, feeling so nostalgic of a
visit to grandma’s in the country. The massive unusual pine trees were
so awe-inspiring that I used them to frame the right half of the scene,
leading your eye down the path to the yellow house safely tucked in
among the lush foliage. A soft light would appear off and on,
illuminating the scene and creating that unique Irish light. That
evening we all reconnected and dined again on another delicious dinner
in town.